Sweet Honey

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How could I forget that warm embrace

and the way you draw me in is so sublime

Mezmorized in those deep, dark eyes

I could go on loving you until the end of time.

 

Far from me,

yet I feel you oh so near.

You’d say don’t you worry,

we will always be

so quit your crying and pass me a beer.

Defeated

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There is no way out of this predicament.

you sit and you think why, God, why whoever,

Why me?

What do you do?

What do you want to know about YOU

What do you want to know about HIM?

Times like these the true colors show.

What are they?

Dark, ominous, fleeting

OR

Bright, vibrant, uplifting

Who do you choose? … and ….

Who do you continue to choose?

Pick the one whose glow pulls you out of defeat.

The one who makes the hardest days few and far between.

First Impression, Lingering Feeling

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There he as stand across the way.

He caught her eye, like a shooting star in the night.

A quick surprise, so quick you might have missed it.

Or second guessed if it was even real at all.

 

That shooting star showed up again.

Drawn near to her dim, subtle brightness.

Like the moon she carried with her, mystery.

Her shine surrounded by an undeniable darkness.

 

Both inhabitants of the night.

One constant, always there.

Another only being present for a brief moment.

 

Her eyes pierced the sky, waiting for a wish.

Waiting for that quick surprise.

waiting to catch him stand there.

Always waiting for it once again.

 

Professor Rainbow Interview

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Welcome to the colorful world of “​​​​​​​​Chance Losher aka Professor Rainbow”. The second you see a piece of his work, his name becomes self explanatory. His art takes you back to your childhood, staring directly into a rainbow filled kaleidoscope constantly spinning to see what the spectrum of colors will produce next. His consistency and style is ever apparent. Based in Tennessee, Professor Rainbow has taken his talents west to Colorado, north to Chicago and anywhere in between. I was able to dive deeper into his mind and creative process. Without further adieu, I introduce to you the art and mind of Professor Rainbow.

First and foremost, I would like to say I love your work. The vibrance you portray is impeccable. When did your love of visual art come about and how has it evolved since?

 

A: Thank you, I glad you enjoy it. It’s hard to say when my love of art started. Growing up I was always more of a visual learner and more interested in images instead of words. That led me to look towards visual medias more than to literary sources. Not much has changed as I’ve gotten older, except I do enjoy reading more as an adult. Lately, I’ve been into graphic novels, as it is a nice way to still read but I still can get caught up in all the artwork.

 

You studied Studio Art at the University of Tennessee. How do you feel learning about your passion in an academic setting help you grow your talents?

 

A: When I first went to college I was undecided as to what I wanted to do, so I started taking business classes. Pretty quickly I realized that was not at all what I wanted to do with my life. I had never taken any art classes but I had always loved art and wanted to learn how to draw and create, so I switched majors to Studio Art. It was quite daunting to switch over to art, but once I found printmaking I really started to feel like I knew that this is what I wanted to do. Luckily, I also had some amazing teachers that pushed me and helped me start to define my style. So, overall it was a great experience getting to hone my skills in an academic setting.

 

What is your favorite event or festival that you have live painted at? What was so special about it and what piece came about during the event?

 

A: It’s hard to choose but, one of my favorite events I’ve been fortunate enough to be a part of every year since it started is Papadosio’s Earth Night event. Held in December every year, it is always my last event of the year and it serves as a point of reflection for me on what all I’ve accomplished throughout the year. I’ve made some of my favorite works during those event, in particular the piece “All I Knew Was Love” which incorporated a bunch of different Papadosio song titles into the design. What’s really cool about that piece is I partnered with Advocates of Change, a non-profit that raises money through art raffles at shows and festivals, and got all the members of the band to sign it and we raffled it off the next year at Earth Night to raise money for some local charities and organizations. Also I got to setup at Red Rocks last year along side of Alex and Allyson Grey and about 20 other amazing visual artists, which was pretty surreal and incredible.

 

Is there any particular song, artist or band that inspires your work? Additionally, do you tend to listen to music while creating and how does it affect the outcome?

 

A: Music in general is my biggest inspiration. More specifically jam bands and down to mid tempo electronic are my favorite genres to listen to. Working in a concert setting, the music tends to change how I approach my backgrounds and how I use watercolor because it’s more of a loose playful feeling that I can let the music dictate my movements. Outside of that, I usually have my concept and color palette already visualized in my head so, listening to music just helps me get into a groove while I work and makes it more of a meditative practice. Even while designing or working at art at my house, music is a necessity.

 

Tell us a little bit about your creative process and the materials you use as well as what your ideal work environment?

 

A: My creative process is quite a bit different from most other live painters you see out. Mainly because all my work is based in the print medium and not in traditional painting mediums. I start most of pieces out by using Photoshop and Illustrator to create a design. After that I’ll expose that design onto a screen, basically creating a stencil that I can then print onto any number of objects in any color. For my pieces that I work on at shows, I tend to just print black onto white smoothed clayboards, which are great for mixed media. I’ll then use watercolor for most of my backgrounds, as well as metallic inks, sharpies, and some acrylics. What surprises people most is that I use highlighters to do all my colors, which is how I get my

 

Jessica Camilli Artist Interview

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Jessica Camilli is a versatile artist who picks her dreams right off her pillow and puts them directly on the canvas. Aside from being an artist, she is guided through life by her travels and yoga journey. Her family and childhood growing up in DC has given her the support and outlet she needs to shine and grow her craft. They continued to show their support as she pursued her BFA from James Madison University with a concentration in drawing and painting. Currently residing in Richmond, VA, she retreats to her studio where her complex and beautiful mind creates images that are graceful while also being unexpected.

What is your biggest inspiration and how does it come to life in your work? How did you arrive at your current aesthetic?

My parents provided me with a very creative childhood. My mother was a modern dancer and my dad ran a Jazz club. I grew up seeing Jazz performances, dances and plays. DC provided me with so much cultural exposure. My dad took my siblings and me to the backyard at night and taught us about astronomy, challenging us to think more expansively about the universe and our role in it. To say the least I had a lot of fodder for inspiration.I have been drawing and scribbling down ideas for as long as I can remember. I consider myself incredibly privileged to have such understanding parents who supported my decision to go to art school and pursue art professionally. I draw most of my inspiration from dreams. I have had an overactive dreamscape ever since I was a little kid. I remember every dream. They tend to be so detailed that when I wake up I can recall the backstories of characters involved. I remember sensory details like the smells of imagined perfumes and foods. Using details from dreams to create art helps with my sanity. It brings order to the chaos. I arrived at my current aesthetic by combining the eerily intangible elements of my dream world with the more meditated logical processes of my design work.

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Could you tell us about your creative process and what life looks like in the studio for you? What goes into making a piece, including the mediums you prefer to use?

I tend to work on 3-5 projects at once in varying mediums. Recently, this has consisted of me working on children’s book illustrations in Prisma colored pencils, pop-surreal illustrative paintings in house paint, graphic design work starting in tedious Micron pen drawings, and oil paintings which function as my therapy. Art is my only source of income, so I balance commissioned works, projects created with marketability in mind, and the art of my own personal desires. If I didn’t have to worry about paying the bills I would always be working on dark and beautiful surreal oil paintings. My favorite medium is oil paint. I am enamored with the rituals of the medium. I find mixing a palette soothing, the smell of linseed oil comforting and even the cleaning processes meditative.

How does your love for travel and yoga play into your art work?

Yoga will always be a big part of my life, but I did put it on the back burner to focus on art this year. There was a time where I was putting almost all of my energy into yoga, teaching anywhere from 7-15 classes a week while helping manage a studio. I loved it but found myself longing to put that same energy into my art career. Yoga helps bring me to a place of calm and deep intentionality which allows me to be productive in my art making.

Travel will always be incredibly inspiring to me. I love seeing how other people live and all of the sounds, sights, and sensations that make up their day to day surroundings. I especially find street art compelling and more telling of the actual heart of a city. I hope that the visual fodder I pick up during my travels surfaces through my art. It is the nature of an artist to be egocentric. For me, yoga and travel help balance the ego by providing perspective. It’s good for me to be reminded of how incredibly tiny and insignificant I am.

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What has been your favorite live-painting event thus far and why? How does live painting affecting the outcome of your work versus creating your piece in the solitude of your studio?

My favorite live painting experience was working on the underwater space alien mural at Big What 2017. I could talk all day about how incredible this experience was. Leslie Caneda (who is incredibly dear and inspiring to me) had a giant wood easel and “canvas” constructed for the event. At the time I just wasn’t feeling so inspired by what I was working on so I decided to devote most of my live painting time to the group mural. I had the honor of starting the painting composition with an alien mermaid floating on an asteroid. It expanded from there, each artist bringing so much to the table building off one another. I especially had fun painting alongside Jenée Harrison. Saturday night we donned all black and horns, embracing all our dark feminine energy to attack this painting. I have never been to a festival where a live painting was given so much attention. There was one point when I turned around to see about a hundred people gathered behind us watching us paint. To top it all off no one told me that Dustin Klein was going to be digitally animating the painting. So I was working on adding beams flowing from the UFO when all of a sudden the images started moving. It took me a moment to realize I wasn’t just seeing things and that he had brought the painting to life. At the end of the festival we donated the painting to The Big What. It was truly a beautiful culmination of fun, live music, art collaboration and friendship.

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Every piece is amazingly unique. They contain this sort of grace, juxtaposed with something offbeat and brutal. What emotions do you hope to convey and what do you want to leave the viewer feeling?

Simultaneously my best and worst quality is that I want to do everything. It keeps me motivated, but it also keeps me in a state of being a complete mess. This year I am focusing on getting my children’s book illustrations published, having my first solo show in an art gallery, and being an art director at The Camel. If all of that goes well I hope to then focus on doing an artist residency, painting a mural on a building, and creating a series of resin coated oil paintings giving voice to those in the community who often feel silenced or ignored. The art world is so expansive and I hope to dip my toes in as much of it as I can.

As an artist I aim to change people’s conventional thought patterns. I think we grow stale in our day to day lives and tend to get set in our ways and ideas. I hope to shake the dust from the routine. Even if it’s just for a moment. That is why I am drawn to strange and sometimes dark imagery. Why I am so inspired by the works of Tim Burton, Miles Johnston, and Lori Nelson. I find balancing the eerie with the beautiful allows for some sort of accessibility into the weird. I want someone to think “That makes me feel uncomfortable. But I kind of like it… what does that say about me?” It is all just perspective. A perspective that we often allow to be dictated by what is socially accepted or what we are trained to think by the existing establishment. But that perspective doesn’t mean anything. Ultimately I want to make people squirm a little, then question why it is that they squirmed.

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Be sure to follow her or check out her site here!

@jessicamilliart

Jessica Camilli Art